PTA's Concert Doc 'Cameron Winter at Carnegie Hall' Official Trailer
Published October 14, 2026 · US

35mm concert tour begins this winter. Janus Films has revealed an official trailer for Cameron Winter at Carnegie Hall, the highly anticipated concert documentary film made by Oscar-winning master filmmaker Paul Thomas Anderson. This was recorded last year du…
In a significant moment for contemporary concert documentaries, acclaimed filmmaker Paul Thomas Anderson has directed a new film chronicling musician Cameron Winter’s landmark solo performance at Carnegie Hall. Titled Cameron Winter at Carnegie Hall, the documentary captures the intimate energy of Winter’s live show recorded in December 2025, marking a pivotal highlight in the young artist’s rapidly ascending career.
The project was recorded on 35mm film during Winter’s sold-out return to New York City following an extensive tour with his band Geese. Anderson, known for his visually rich cinematic style, brought a distinctive approach to the concert film, employing large-format cameras to preserve the nuances of the live experience. The resulting footage offers audiences a rare, immersive perspective that extends beyond the typical concert capture.
This film represents a notable collaboration between one of contemporary cinema’s most respected auteurs and a burgeoning musical talent. Cameron Winter, only 24 at the time of the performance, had already earned critical acclaim with his solo album Heavy Metal and his work with Geese. Both projects received significant accolades in 2025 from influential outlets such as Pitchfork, Rolling Stone, Paste, Mojo, The New Yorker, NME, and Stereogum, cementing Winter’s status as a generational voice in indie music.
Winter’s Carnegie Hall show was a singular event, underscoring his rapid rise in the music world. At 23, he became one of the youngest musicians to headline the iconic venue, a distinction historically shared with legendary figures like Bob Dylan. This concert not only symbolized a personal achievement but also a cultural milestone, reflecting the evolving landscape of live music presentation.
The film’s audio component was produced by Grammy-winning producer Ariel Rechtshaid, whose portfolio includes work with artists like Vampire Weekend and Adele. This collaboration ensures a high-quality sonic experience that complements Anderson’s visual treatment. The soundtrack will be released as a live album, Live at Carnegie Hall, by Partisan Records and Play It Again Sam on October 9, 2026, providing fans with another medium to engage with Winter’s performance.
Following its premiere at the 2026 New York Film Festival, Cameron Winter at Carnegie Hall is set for a unique theatrical release. Janus Films and Criterion have organized a special 35mm film tour commencing in late November 2026. Prints of the film have been meticulously created by Fotokem in Los Angeles under the supervision of Anderson and his producing team, ensuring that the presentation preserves the filmmaker’s artistic vision.
The production team includes producers Maggie Ambrose, Erica Frauman, and Sara Murphy, with Benny Safdie serving as co-producer. This ensemble brings together a wealth of talent from film and music production, enhancing the documentary’s creative and technical quality.
For audiences unfamiliar with Winter’s oeuvre, the film promises more than a typical concert recording. Instead, it offers a cinematic portrait of an emerging artist at a critical juncture, framed by Anderson’s characteristic attention to detail and emotional depth. The use of analog 35mm film further elevates the viewing experience, appealing to cinephiles and music fans alike.
Details on the full tour schedule and ticket availability have been made accessible through Janus Films’ official channels. Given the combination of Anderson’s directorial reputation and Winter’s rising profile, the film is anticipated to attract diverse audiences eager to witness this confluence of music and cinema.
While the documentary’s scope centers on the Carnegie Hall performance, it simultaneously captures a snapshot of contemporary music culture through the lens of one of its most promising young artists. The project marks a continuation of Paul Thomas Anderson’s recent ventures into music-related filmmaking, expanding his oeuvre beyond narrative cinema into concert documentation.
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